"From the other world I come back to you."

Jan 29, 2012 7:53pm
Jan 28, 2012 3:36pm
oldbookillustrations:

Black-tailed jackrabbit AKA Texian hare.
John Woodhouse Audubon, from The quadrupeds of North America vol. 3, by John James Audubon and John Bachman, New York, 1851.
(Source: archive.org)

oldbookillustrations:

Black-tailed jackrabbit AKA Texian hare.

John Woodhouse Audubon, from The quadrupeds of North America vol. 3, by John James Audubon and John Bachman, New York, 1851.

(Source: archive.org)

Jan 28, 2012 2:06pm
printed-ink:

from The Waves, by Virginia Woolf

printed-ink:

from The Waves, by Virginia Woolf

(via booklover)

Jan 28, 2012 2:03pm
frenchtwist:

via rrrick * 2headedsnake:

365manerasdeestarenelmun.com
Joseph Cornell holding an Untitled Bottle Object. Duane Michals. 1969

frenchtwist:

via rrrick * 2headedsnake:

365manerasdeestarenelmun.com

Joseph Cornell holding an Untitled Bottle Object. Duane Michals. 1969

Jan 27, 2012 11:54pm
Jan 27, 2012 11:10pm
noblebeasts:

Unknown, Nuremberg Chronical 1439

noblebeasts:

Unknown, Nuremberg Chronical 1439

Jan 27, 2012 11:06pm
noblebeasts:

Illustration on page 168 of Mathais Tanner’s Societas Jesu apostolorum imitatrix, depicting Father Petrus Mascarena (c. 1546-1597). In a darkly rendered engraving, Mascarena points heavenward in a curving gesture reminiscent of that of John the Baptist in traditional iconography. High above, an angel holds the victor’s crown of laurels, but the rest of the background is crowded with human bones, some seemingly floating in midair, others arranged in patterns of skulls and femurs suggestive of the assembling of relics in baroque settings such as St. Ursula’s Church in Cologne. Among the bones stands a skeleton holding a scythe, suggesting the inescapable nature of death and the fate that waits Mascarena and his seventeen companions. Unlike other illustrations in the Imitatrix that represent real or imagined events, this engraving presents an allegorical image of the concrete dangers that Jesuits faced.
Link

noblebeasts:

Illustration on page 168 of Mathais Tanner’s Societas Jesu apostolorum imitatrix, depicting Father Petrus Mascarena (c. 1546-1597). In a darkly rendered engraving, Mascarena points heavenward in a curving gesture reminiscent of that of John the Baptist in traditional iconography. High above, an angel holds the victor’s crown of laurels, but the rest of the background is crowded with human bones, some seemingly floating in midair, others arranged in patterns of skulls and femurs suggestive of the assembling of relics in baroque settings such as St. Ursula’s Church in Cologne. Among the bones stands a skeleton holding a scythe, suggesting the inescapable nature of death and the fate that waits Mascarena and his seventeen companions. Unlike other illustrations in the Imitatrix that represent real or imagined events, this engraving presents an allegorical image of the concrete dangers that Jesuits faced.

Link

(Source: ellamorte)

Jan 27, 2012 6:08pm
geocrusader80:

One of the first maps of the new world using a polar #map projection by Johannes Ruysch in 1508 #cartography #geography via @natgeomaps

1508 Ruysch Map

“One of the first maps of the new world, made by Johannes Ruysch using a polar projection. It includes an extensive view of South America, islands of the West Indies, and a portion of North America. The World Map from Ruysch appeared for the first time among the Tabulae Novae in some copies of the 1507 Rome edition of Ptolemy’s Geography. Ruysch’s map illustrates a number of significant geographic features more accurately than before, particularly along the easterly sea route to the Orient, which was of prime importance to early sixteenth-century Europeans.” 

http://maps.nationalgeographic.com/maps/print-collection/ruysch-map.html

geocrusader80:

One of the first maps of the new world using a polar #map projection by Johannes Ruysch in 1508 #cartography #geography via @natgeomaps
1508 Ruysch Map
“One of the first maps of the new world, made by Johannes Ruysch using a polar projection. It includes an extensive view of South America, islands of the West Indies, and a portion of North America. The World Map from Ruysch appeared for the first time among the Tabulae Novae in some copies of the 1507 Rome edition of Ptolemy’s Geography. Ruysch’s map illustrates a number of significant geographic features more accurately than before, particularly along the easterly sea route to the Orient, which was of prime importance to early sixteenth-century Europeans.” 

(via noblebeasts)

Jan 27, 2012 6:03pm
iwdrm:

“You never seem to be waiting for me, but we kept meeting at every turn of the paths. Behind every bush, at the foot of each statue, near every pond. It is as if it had been only you and I in all that garden.”
Last Year at Marienbad (1961)

iwdrm:

“You never seem to be waiting for me, but we kept meeting at every turn of the paths. Behind every bush, at the foot of each statue, near every pond. It is as if it had been only you and I in all that garden.”

Last Year at Marienbad (1961)

(via frenchcinema)

Dec 9, 2011 2:47pm
oldbookillustrations:

The gnat stings the eyes of the lion.
John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.
(Source: archive.org)

oldbookillustrations:

The gnat stings the eyes of the lion.

John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.

(Source: archive.org)

Dec 9, 2011 2:46pm
oldbookillustrations:

The gnat stings the eyes of the lion.
John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.
(Source: archive.org)

oldbookillustrations:

The gnat stings the eyes of the lion.

John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.

(Source: archive.org)

Dec 9, 2011 2:45pm
oldbookillustrations:

Two dogges strive for a bone and the third taketh it away.
John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.
(Source: archive.org)

oldbookillustrations:

Two dogges strive for a bone and the third taketh it away.

John Leighton, from Moral emblems : with aphorisms, adages, and proverbs, of all ages and nations, translated and edited by Richard Pigot, London, 1860.

(Source: archive.org)

Nov 29, 2011 1:29pm
oldbookillustrations:

Alas for him who never sees The stars shine through his cypress-trees!
From Snow-bound : a winter idyl, by John Greenleaf Whittier, Boston, 1868.
(Source: archive.org)

oldbookillustrations:

Alas for him who never sees
The stars shine through his cypress-trees!

From Snow-bound : a winter idyl, by John Greenleaf Whittier, Boston, 1868.

(Source: archive.org)

Nov 29, 2011 1:28pm
oldbookillustrations:

… Called up her girlhood memories The huskings and the apple-bees The sleigh rides and the summer sails Weaving through all the  poor details…
From Snow-bound : a winter idyl, by John Greenleaf Whittier, Boston, 1868.
(Source: archive.org)

oldbookillustrations:

… Called up her girlhood memories
The huskings and the apple-bees
The sleigh rides and the summer sails
Weaving through all the poor details…

From Snow-bound : a winter idyl, by John Greenleaf Whittier, Boston, 1868.

(Source: archive.org)

Sep 4, 2011 9:59am
bookmania:

bookmania:

(Source: bookmania)

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